The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film

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Palgrave Macmillan US, Oct 16, 2012 - Performing Arts - 195 pages
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Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.

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About the author (2012)

Matthew Flisfeder is Assistant Professor in the Department of Rhetoric, Writing, and Communications, at the University of Winnipeg, Canada. He is author of Postmodern Theory and Blade Runner (2017), and co-editor (with Louis-Paul Willis) of Žižek and Media Studies: A Reader (2014).

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