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abandoned Abstract Abstract Expressionism activities Albers ambiguity American Art Anuskiewicz art history artists attempt audience Basel Blue Braque canvas century Chagall Chicago Chirico collages colour Composition concerned contemporary conventional creative Cubists cultural Dada Dadaists depict Dubuffet Duchamp elements explored expression Expressionist Fauvism favour figure formalist forms Futurists Gris ideas images Institute of Art Jasper Johns junk Kandinsky Klee Kooning later Leger London machine aesthetic Magritte Malevitch Matisse ment Miro Modem Art Modern Art Modern Painting modes Mondrian Morris Louis movement Museum of American Museum of Modem nature Noland non-art Nude Descending objects Offentliche Kunstsammlung painters painting and sculpture period Picasso Pop Art primitive problems Rauschenberg rejection result revolutionary Robert Rauschenberg role Rothko Rouault scene Schwitters Shahn sixties Social Realism society spectator Still-Life Studio Surrealist Tabarin Ball Tanguy Tate Gallery themes tion Tobey traditional twentieth-century art unconscious mind Vasarely Vorticist Whitney Museum Wirsum Wyndham Lewis York