Enchantment and Creed in the Hymns of Ambrose of MilanEnchantment and Creed in the Hymns of Ambrose of Milan offers the first critical overview of the hymns of Ambrose of Milan in the context of fourth-century doctrinal song and Ambrose's own catechetical preaching. Brian P. Dunkle, SJ, argues that these settings inform the interpretation of Ambrose's hymnodic project. The hymns employ sophisticated poetic techniques to foster a pro-Nicene sensitivity in the bishop's embattled congregation. After a summary presentation of early Christian hymnody, with special attention to Ambrose's Latin predecessors, Dunkle describes the mystagogical function of fourth-century songs. He examines Ambrose's sermons, especially his catechetical and mystagogical works, for preached parallels to this hymnodic effort. Close reading of Ambrose's hymnodic corpus constitutes the bulk of the study. Dunkle corroborates his findings through a treatment of early Ambrosian imitations, especially the poetry of Prudentius. These early readers amplify the hymnodic features that Dunkle identifies as "enchanting," that is, enlightening the "eyes of faith." |
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Contents
1 | |
Hymnody Heresy and Doctrinal Identity | 13 |
Ambroses Preaching Enchantment and Nature and Grace | 52 |
Ambroses Daytime Hymns and the Mystagogy of Nature | 85 |
Christ in Scripture and the Hymns for Dominical Feasts | 117 |
Ecclesial Identity in theHymns for Martyrs | 143 |
The Features of Ambrosian Reception | 174 |
Ambrosian Imitation in Sedulius and Prudentius | 186 |
Conclusion | 214 |
APPENDIX | 221 |
Select Bibliography | 233 |
255 | |
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Common terms and phrases
Aeterna Christi Aeterne Rerum Agnes Ambrogio Ambrose of Milan Ambrose’s hymns Ambrosian Ambrosius von Mailand Apostolorum appears argue Arian audience Augustine Augustine’s authenticity baptism biblical Biblioteca Ambrosiana bishop Boeft catechesis catechetical Cathemerinon celebration Charlet Christ Christological church classical composed congregation congregation’s corpus CSEL divine doctrinal Early Christian ecclesia emphasizes Ephrem especially faith Father fides final stanza fourth century Franz Giuseppe Lazzati Gregory of Nazianzus Hilary’s Holy Homoian hymn’s hymnody Iam Surgit identified Illuminans Intende qui regis Jacques Fontaine Lanéry language Latin Lawrence Lawrence’s little hours liturgical martyrs Milanese Moreover mystagogical Mysterium Mirabile mystical reading Nauroy Nicene ofthe hymn original pagan parallels particular Peter poem poetic Poetry pro-Nicene Protasius and Gervasius Prudentius Prudentius’s Psal Psalms reference regis Israel repetition Roman Rome sacramentis saints sant’Ambrogio scholars Scripture Sedulius senses sermons singing song spiritual Splendor Paternae stanza suggests sung Tageslauf Tageslaufund Heilsgeschichte themes theological verse Zerfass