The Uses and Abuses of AntiquityThis multi-disciplinary volume brings together essays illustrating the diversity of forms in which the legacy of Antiquity has been used, and abused, by the Modern West. Here classicists and non-classicists combine to show how historiography, anthropology, philosophy, political thought, archaeology, poetry, drama, the novel, music, architecture, sculpture, painting, photography, and film can be rewardingly juxtaposed as sites rich in the appropriation of Greco-Roman culture. The book has a chronological span running from the 17th to the late-20th century, and it ranges geographically from Britain to Europe and the USA. The authors remind us that it is often not the past itself so much as constructed images thereof which do most to mould our cultural consciousness. The collection discloses the pluralism and flexibility of Antiquity as an important modern symbolic source, and the variety of socio-cultural circumstances which have oriented us towards it. At many points these essays also analyse signs of a certain desire for release from a tradition viewed as troublesome and constraining. Yet they also tend to confirm that, whenever we seek to escape classical culture, we are still likely to be held within its trammels - that, even when we think that we have thrown it off, we seem fated to remain within its protean thrall. |
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Page 32
... York , he signalized himself by his outspoken resistance to the supporters of Charles Edward Stuart . Political considerations affected both dramatic adaptations of Boadicea's story and the ways in which those adaptations were perceived ...
... York , he signalized himself by his outspoken resistance to the supporters of Charles Edward Stuart . Political considerations affected both dramatic adaptations of Boadicea's story and the ways in which those adaptations were perceived ...
Page 150
... York station are perhaps the most explicit statement of classical intent , at a time ( 1870s ) when any attenuated column might be mistaken for Gothic . On the whole , then , in the early development of terminal stations in Britain , it ...
... York station are perhaps the most explicit statement of classical intent , at a time ( 1870s ) when any attenuated column might be mistaken for Gothic . On the whole , then , in the early development of terminal stations in Britain , it ...
Page 238
... York's Metropolitan Museum , Boston's Museum of Fine Art , and Chicago's Art Institute were all opened in the 1870s . Alexander Tzonis and Liane Lefaivre argue that all classical works recall the temenos or ' meticulously ordered temple ...
... York's Metropolitan Museum , Boston's Museum of Fine Art , and Chicago's Art Institute were all opened in the 1870s . Alexander Tzonis and Liane Lefaivre argue that all classical works recall the temenos or ' meticulously ordered temple ...
Contents
List of Illustrations | 7 |
the invention and exploitation | 57 |
Nationalism and the antique in nineteenthcentury | 79 |
Copyright | |
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References to this book
Exemplarisches Heldentum: die Rezeptionsgeschichte der Schlacht an den ... Anuschka Albertz No preview available - 2006 |
The Sites of Rome:Time, Space, Memory: Time, Space, Memory David H. J. Larmour,Diana Spencer No preview available - 2007 |