Dance in South Asia: New Approaches, Politics and Aesthetics : Proceedings, March 3, 2002 |
Contents
Foreword | 1 |
Renegotiating South Asian and American National Culture through Bharata Natyam Performance | 17 |
The Transgressive Sacrality of the White Indian Classical Dancer | 31 |
3 other sections not shown
Common terms and phrases
Abhinavagupta aesthetic American argue artistic Asia audience authenticity Balasaraswati Bharata Natyam Bharata Natyam dancer body British Calcutta century Chakravorty Chennai choreographic classical Indian dance colonial concepts construct contemporary context conventional Coorlawala dance form dance in Britain dance scholars Delhi devadasis diaspora discourse Draupadi Duhsasana East emotional erotic eroticism ethnic experience female feminist Festival gender gestures global heritage Hindu identity Indian classical dance intercultural interpretation Kapila Vatsyayan Kathak Kathak dance Krishna Kumudini Lakhia Lopez y Royo maharis mainstream male Meduri modern dance Moham movement museum education music and dance narrative nationalist nautch Odissi Orientalism orientalist Pallabi Chakravorty Pankaj Charan Das patriarchal performance perspective political postcolonial practice practitioners present relationship role Ruth St Sanskrit sexual social South Asian dance space spiritual stage subcontinent Swarthmore Tamil temple theatre tradition translation University varnam Vedic viewer West Western white Indian dancer womanhood women