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Renegotiating South Asian and American National Culture through Bharata Natyam Performance
The Transgressive Sacrality of the White Indian Classical Dancer
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Abhinavagupta aesthetic American argue artistic audience authenticity Balasaraswati Bharata Natyam Bharata Natyam dancer Birju Maharaj body British century Chennai choreographic classical Indian dance classical Kathak colonial concept construct contemporary context conventional Coorlawala creating dance form dance in Britain dance scholars devadasis diaspora discourse Draupadi Duhsasana East emotional ethnic experience female feminist Festival gender gestures global Guru Pankaj Charan heritage Hindu identity Indian classical dance intercultural interpretation Kathak Kathak dance Krishna Kumudini Lakhia Lopez y Royo maharis mainstream male Meduri modern dance Moham movement mudras museum education music and dance narrative nationalist nautch Odissi oriental orientalist Pallabi Chakravorty patriarchal performance perspective political postcolonial practice practitioners pre-performance present relationship role Ruth St Sanskrit sexual social South Asian dance space spiritual stage subcontinent Swarthmore Swarthmore College Tamil temple theatre tradition translation Uttara varnam Vedic viewer West Western white Indian dancer women