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Keys and Keyings
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action actor actual allow animal apparently Asta Nielsen audience become behavior brackets capacity character considered conventions course Dear Abby device disattend discrediting downkeying dramatic dream employed everyday example expression fabrication fact feel figures film frame analysis frame breaks function G. E. M. Anscombe going Gregory Bateson Herb Caen Ibid individual interaction involved issue joke Kermit Schafer keying kind managed matter means ment merely misframing movie natural occasion occur Okhrana onstage ordinarily ordinary organization participants particular performance person play players police possible practice present Press presumably primary framework produced question radio drama reality realm regard rekeying reported response Richard Schechner role San Francisco Chronicle scene scripted seems seen social someone sort speaker speech stage story strip of activity suggested sustained talk theater theatrical thing tion transformation turn vidual vulnerable William Labov words York