Public Space and the Ideology of Place in American Culture
Miles Orvell, Jeffrey L. Meikle
Rodopi, 2009 - Architecture - 460 pages
We typically take public space for granted, as if it has continuously been there, yet public space has always been the expression of the will of some agency (person or institution) who names the space, gives it purpose, and monitors its existence. And often its use has been contested. These new essays, written for this volume, approach public space through several key questions: Who has the right to define public space? How do such places generate and sustain symbolic meaning? Is public space unchanging, or is it subject to our subjective perception? Do we, given the public nature of public space, have the right to subvert it? These eighteen essays, including several case studies, offer convincing evidence of a spatial turn in American studies. They argue for a re-visioning of American culture as a history of place-making and the instantiation of meaning in structures, boundaries, and spatial configurations. Chronologically the subjects range from Pierre L Enfant s initial majestic conceptualization of Washington, D.C. to the post-modern realization that public space in the U.S. is increasingly a matter of waste. Topics range from parks to cities to small towns, from open-air museums to airports, encompassing the commercial marketing of place as well as the subversion and re-possession of public space by the disenfranchised. Ultimately, public space is variously imagined as the site of social and political contestation and of aesthetic change."
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contesting Public Space
The Mutability of Public Space
aerial aesthetic American architect architecture argues Aurora authenticity behavior blackout Certeau Chicago city’s civic coffeehouse community gardens concept construction consumer contemporary critical culture David Dale Owen democratic Denver environment environmental essay example function Girard College grid ground Henry High Line House idea Institution land landscape linen postcards Main Street Mall Millennium Park Miller modern Montreal monument Mount Royal mountain Museum of Appalachia narrative nature negative space neighborhood Owen’s Park parkway passengers Philadelphia Photograph by author physical political postmodern public space represent representation Robert Dale Owen Robert Wise Rock Creek social society spatial Starbucks statue Street Beach structure style symbolic Teich third place tourist town traditional transformation twentieth century University Press urban space Washington D.C. Washington National Cathedral West Side Story Wright York Zaha Hadid