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FEMINIST FILM CRITICISM
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advertising aesthetic American Cinema analysis artistic audience auteur avant-garde Bazin become benshi Betty Grable Beudet camera characters CinemaScope codes color comedy commodity concept context contradictions conventions criticism cultural studies discourse Disney documentary dominant economic example exhibitors expression fantasy female feminist film history film industry Film Studies film's filmmakers function Gaynor genre Gentlemen Prefer Blondes Hildy Hollywood IATSE ideology Laura lesbian male Marnie Marry a Millionaire Marxist meaning Mildred motion picture movie stars moving picture narrational narrative play political popular position Priorities on Parade problems production punk punk subculture rape relations relationship role scene screen Sex Pistols sexual shot signified soap operas social society sound specific spectator sponsored film structure style subculture symbolic technique television theatres theme theory tion traditional Victory at Sea viewer visual western Wollen woman women York