Queer Pollen: White Seduction, Black Male Homosexuality, and the Cinematic
Queer Pollen discusses three notable black queer twentieth century artists--painter and writer Richard Bruce Nugent, author James Baldwin, and filmmaker Marlon Riggs--and the unique ways they turned to various media to work through their experiences living as queer black men. David A. Gerstner elucidates the complexities in expressing queer black desire through traditional art forms such as painting, poetry, and literary prose, or in the industrial medium of cinema. This challenge is made particularly sharp when the terms "black" and "homosexuality" come freighted with white ideological conceptualizations. Gerstner adroitly demonstrates how Nugent, Baldwin, and Riggs interrogated the seductive power and saturation of white queer cultures, grasping the deceit of an entrenched cultural logic that defined their identity and their desire in terms of whiteness. Their work confounds the notion of foundational origins that prescribe the limits of homosexual and racial desire, perversely refusing the cordoned-off classifications assigned to the "homosexual" and the "raced" body. Queer Pollen articulates a cinematic aesthetic that unfolds through painting, poetry, dance, novels, film, and video that marks the queer black body in relation to matters of race, gender, sexuality, nation, and death.
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aesthetic African American Alex Anzaldúa appear parenthetically artists Ballet mécanique Barthes Barthes’s Beauty Black Ain’t black and white black culture black male black queers blues brother brother-to-brother Caleb camera cinematic color concept creative critical David death Derrida dissolve Dudley Murphy Eric Eric’s erotic essay Ethnic Notions eyes father film film’s filmmaker gaze Giovanni Giovanni’s Room Guillaume’s Harlem Renaissance heterosexual Hollywood homophobia homosexual Hughes’s Ibid interracial interview James Baldwin Jigger John John’s Langston Hughes Leeming light living Long Train Running look Mamoulian Mapplethorpe Marlon Riggs movement movie Murphy Murphy’s novel Nugent one’s penetration performance Philip photograph political production punctum queer black identity Queer Pollen race Rampersad re/disfiguration relationship responsibility Richard Bruce Nugent Riggs’s Robert Mapplethorpe salvation scene screen self-portrait sensual sexual shame shot Smoke Stuartt Stuartt/Nugent Subsequent references theater Thurman Tongues Untied turn white boy white culture white seduction wirth Wright writing