Hung Lou Meng, Volume 1

Front Cover
Echo Library, Oct 1, 2007 - Fiction - 344 pages
Shih Jung perceiving the perspicacity of his speech and the propriety of his utterances, simultaneously turned towards Chia Chen and observed with a smile on his face: "Your worthy son is, in very truth, like the young of a dragon or like the nestling of a phoenix! and this isn't an idle compliment which I, a despicable prince, utter in your venerable presence! But how much more glorious will be, in the future, the voice of the young phoenix than that of the old phoenix, it isn't easy to ascertain."

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User Review  - Pyobon - LibraryThing

I felt I should read this as Wikipedia lists it as the world's fourth best-selling book. It is hard work to read. There are a huge number of characters, many of whom are poorly differentiated or ... Read full review

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User Review  - rboyechko - LibraryThing

I feel I need to revisit this book when I understand Chinese culture a little better. In the 20-something chapters I have read, nothing really happened. The book reads like a chronicle of a clan. So ... Read full review

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About the author (2007)

Born into a wealthy clan of bondservants to the Manchu imperial family that for three generations had controlled China's textile monopoly in Nanking, Cao Xue Qin (also known as Ts'ao Chang) spent his childhood and adolescence in a large extended family surrounded by opulence. When Cao was 13, in 1728, the Yung-cheng emperor, suspicious of the Cao family's possible ties to rival claimants of the throne and dissatisfied with their performance in Nanking, confiscated the family property. The family was forced to move to Peking and spend the rest of their lives in greatly reduced circumstances. In his lonely middle years, Cao comforted himself by composing the brilliant long novel known as The Dream of the Red Chamber (1792) and also as The Story of the Stone. The work is both a nostalgic recreation of the golden world of his childhood, and a Buddhist and Taoist warning that worldly achievements and material possessions are vain and unenduring. The last 40 chapters of the 120-chapter novel were written or edited by a second author, Kao O [Gao E]. That Manchu nobleman more or less followed Cao's original intentions, probably worked from rough drafts of Cao's. However, there is some evidence that Cao originally intended the work to end even more starkly and tragically than it does. Political prudence, however, made it necessary for Kao O to tone down what might have been perceived as criticism of the family's harsh treatment by the emperor.

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