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POETIC DICTION AND THE SUBLIME
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ambiguity Arnold Augustan poetry baroque baroque architecture beauty borrowed Byron Carew's Coleridge Collins connexion connotation denotation difference diffuseness Donne drama Dryden earlier eighteenth century Elizabethan poets emotions English language English poetry English tongue example expression Frye's Gray Gregory Smith Gregory Smith's reprint guage hand historian history of poetry ideas idiom images Johnson Keats Leslie Stephen less lines linguistic literary criticism literary history literature logical Matthew Arnold meaning ment metaphysical style modern nature novels obscurity period perspicuity poem Poesie poetic diction poetry and prose Pope Pre-Raphaelite precise Preface prefixed Professor Frye qualities Quotation from Gregory Quotation from Spingarn's reader repetitions reprint in Spingarn romantic poets Rossetti sense seventeenth century Shelley Shropshire Lad speaking Spingarn's reprint structure sublimity Swinburne T. S. Eliot tendencies Tennyson theme theory of language thing Thomas Sprat Thomson thought tion translated vagueness verse Victorian Wordsworth write Wyatt's