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action actors Albumazar alchemical alchemists Ariosto Aristone's Artemona astrology audience balia become Bonifacio Bredero Bredero's Bruno Calandria carnival century character characterological Cinquecento classical clients Comedy of Errors comedy's comic commedia dell'arte critical cultural discourse disguise double drama dramatist Dutch elements Elizabethan erudite comedy function genre Giacchelino Giovan Maria Cecchi Girifalco gold Hamlet hero Hooft's human illusion innamorata intrigue Italian Renaissance language laughter Lidio literary Lope Lope de Vega lovers magic magician Mandragola master Messer Nicia models modern moral motif narrative nature necromancer Nicia occult pastoral performance Pietro Aretino Plautus play play's playwright plot Porta prologue Prospero reality Renaissance comedy revenge tragedy role romantic satiric scene servant Shakespeare sion social sorcerer source text space Spanish spectators stage story structure teatro Temolo Tempest textual theatre theatregrams theatrical tion Titus Andronicus tradition transformation translation trickster Twelfth Night twinship victim Warenar