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Page 186
... contact sheet of the newly developed negatives . To get off on the right foot , however , prelimi- nary test prints ... information on basic exposure times as well as on filters ( see diagrams on the opposite page ) . If none of the ...
... contact sheet of the newly developed negatives . To get off on the right foot , however , prelimi- nary test prints ... information on basic exposure times as well as on filters ( see diagrams on the opposite page ) . If none of the ...
Page 197
... example used here , Miss Kehaya judged the best wedge a little too dark , so she reduced the exposure by one second . The final combination : 30M + 15Y + 2B with 11 seconds ' exposure . Making the Print : A Contact Sheet. 197.
... example used here , Miss Kehaya judged the best wedge a little too dark , so she reduced the exposure by one second . The final combination : 30M + 15Y + 2B with 11 seconds ' exposure . Making the Print : A Contact Sheet. 197.
Page 198
... contact sheet 3 choose the best frames 8X10 Check the tape on the enlarger ( step 7 , page 188 ) and raise the head slightly so the enlarger's light now covers the same area on the higher contact frame that it did on the enlarging easel ...
... contact sheet 3 choose the best frames 8X10 Check the tape on the enlarger ( step 7 , page 188 ) and raise the head slightly so the enlarger's light now covers the same area on the higher contact frame that it did on the enlarging easel ...
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Common terms and phrases
amateur Autochrome background BILL BINZEN black-and black-and-white bleach bottle bulb camera chemicals color film color filters color image color negative film color photography color pictures color print color processes color temperature contact sheet Cros cyan dark darkroom daylight film developer developer-dye Eastman Kodak Ektachrome EKTAPRINT emulsion emulsion layer enlarger exposed exposure face filter pack formalin fixer gloves green and blue Grehan Haas Haas's Harald Sund Hauron hues illumination indoors lens Leopold Godowsky light source Louis Lumière magenta Mannes and Godowsky mask Matching Film Miss Kehaya negative image opposite painting paper PETE TURNER photographer plates Polacolor portrait positive produce projector red light reflected reversal film Rubartelli scene shadows shot shown silver slides solution spectrum stabilizer stop-fix subtractive sunlight tank techniques test prints TIME-LIFE timer tones transparency tray ture turned Veruschka Wash wavelengths white light yellow York City