A History of the Oratorio: The oratoria in the baroque era: Protestant Germany and England
Written by an eminent scholar in a style that represents American musicological writing at its communicative best, A History of the Oratorio offers a synthesis and critical appraisal so exhaustive and reliable that the serious student of the oratorio will be compelled to look to these volumes as an indispensable source. No work on the history of the oratorio has yet appeared in the English language that is comparable in scope and treatment with Howard Smither's comprehensive four-volume work.
The first part of volume 2 examines in depth the antecedents and origins of the oratorio in Protestant Germany in the seventeenth century. It includes discussions of the Lutheran Historia, sacred dramatic dialogues, and the Lubeck Abendmusiken of Buxtehude. The second part treats the oratorio in Protestant Germany in the early eighteenth century and examines Handel, Reinhard Keiser, and J.S. Bach. The third part considers primarily the English oratorios of Handel. In most sections of A History of the Oratorio, the author has selected for special attention a few oratorios that are representative of each geographical area and period. An exception to this procedure is in the section on Handel in this volume, where all of the composer's English oratorios are treated fully with particular reference to recent specialized Handel studies.
Volume 1, The Oratorio in the Baroque Era: Italy, Vienna, Paris, and Volume 3, The Oratorio in the classical Era, expand and continue the study of oratorio history. Although this series was originally announced as a three-volume study, Smither will conclude with a fourth volume.
Originally published in 1977.
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Abendmusiken accompanied recitatives Actus musicus Angel anthem arioso Athalia Bach basso continuo beginning Belshazzar biblical borrowed Brockes Passion Buxtehude capo form Castrum doloris century chorale tune chorus Christ Christmas Oratorio church composed concertato concerts continued da capo aria David Dean Deborah Deutsch dialogue duet Easter historia English oratorios ensembles Esther Evangelist's EXAMPLE final chorus Fromm's genre German oratorio Gospel Hamburg Handel's oratorios ibid includes individual personages instrumental numbers interpolations Israel Israel in Egypt Israelites Jennens Jephtha Jesus Johann Judas Lazarus libretto Lutheran Lutheran Germany Mattheson melismas Messiah motet Neue Ausgabe numbers occasionally opera oratorio Passion Oratorium orchestral passages Passion oratorio performed plainsong Printed in Handel printed libretto recitation tone Reproduced by permission ritornello sacred Samson SATB Saul scene Schiitz simple recitative sings solo soloists Solomon song story style sung Susanna symphonia Telemann Theodora timpani trumpets violins vlns voices Werke words