Acting is Believing: A Basic MethodA training guide to the acting concept of the transference of character believability from the actor to the audience. |
Contents
Exploring Your Resources | 3 |
Finding a Purpose | 15 |
Taking It Easy | 27 |
Copyright | |
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accomplish acter acting actor Anton Chekhov attention audience Bandjarmasin basic beat beginning behavior believe chair CHAPTER character CHUBUKOV concentrate Constantin Stanislavski creating Cunningham developing director discover dramatic dramatist drink Edward Albee Eugene O'Neill exercises experience externals father feel give given circumstances Harold Clurman Henrik Ibsen imaginary imagination important improvisation inner resources intention Ivan Vassilevitch Key lines listen living logical LOMOV look married meaning memory mother motivating desire Murray Schisgal NATALYA STEPANOVNA never object observation onstage Oxen Meadows PAUL performance person PETTERSEN physical actions play playwright problem purpose quarrel realize rehearsal relation relationship relaxation responsibility role Romeo and Juliet scene sensory sensory memory situation speak specific speech Squeezer stage Stanislavski stimulate SYLVIA talking technique tell Tennessee Williams tension Theatre Arts Books there's things tion Tybalt typewriter undermeaning understand verbal action voice William Saroyan young