Epistulae heroidum

Front Cover
Walter de Gruyter, 1971 - History - 336 pages

The series publishes important new editions of and commentaries on texts from Greco-Roman antiquity, especially annotated editions of texts surviving only in fragments. Due to its programmatically wide range the series provides an essential basis for the study of ancient literature.

 

Contents

83
5
45
9
Praefatio ad epistulam Sapphus
12
47
15
Praefationis appendice explicatur ratio symbolorum abbreviationum siglorum in apparatu critico adhibitorum
21
P Ovidii Nasonis Epistulae Heroidum
45
Penelope Ulixi
47
Phyllis Demophoonti
55
Laodamia Protesilao
172
Hypermestra Lynceo
183
Epistula Sapphus remota est in editionis calcem 16 Paris Helenae
193
Helena Paridi
216
Leander Heroni
232
Hero Leandro
245
Acontius Cydippae
258
Cydippe Acontio
275

Briseis Achilli
64
Phaedra Hippolyto
73
Oenone Paridi
83
Hypsipyle Iasoni
93
Dido Aeneae
104
Hermione Oresti
119
Deianira Herculi
127
Ariadna Theseo
140
Canace Macareo
150
Medea Iasoni
158
93
279
104
291
140
303
150
304
172
323
193
324
216
326
232
330
275
335
Copyright

Common terms and phrases

Popular passages

Page 326 - Cur tamen Actiacas miseram me mittis ad oras, Cum profugum possis ipse referre pedem? Tu mihi Leucadia potes esse salubrior unda; Et forma et mentis tu mihi Phoebus eris.
Page 324 - Quin etiam rami positis lugere videntur Frondibus ; et nullae dulce queruntur aves. Sola virum non ulta pie nwEstissima mater 175 Concinit Ismarium Daulias ales Ityn : Ales Ityn, Sappho desertos cantat amores.

About the author (1971)

Publius Ovidius Naso (20 March 43 BC--AD 17/18), known as Ovid. Born of an equestrian family in Sulmo, Ovid was educated in rhetoric in Rome but gave it up for poetry. He counted Horace and Propertius among his friends and wrote an elegy on the death of Tibullus. He became the leading poet of Rome but was banished in 8 A.D. by an edict of Augustus to remote Tomis on the Black Sea because of a poem and an indiscretion. Miserable in provincial exile, he died there ten years later. His brilliant, witty, fertile elegiac poems include Amores (Loves), Heroides (Heroines), and Ars Amatoris (The Art of Love), but he is perhaps best known for the Metamorphoses, a marvelously imaginative compendium of Greek mythology where every story alludes to a change in shape. Ovid was admired and imitated throughout the Middle Ages and Renaissance. Chaucer, Spenser, Shakespeare, and Jonson knew his works well. His mastery of form, gift for narration, and amusing urbanity are irresistible.