Designing and Painting for the TheatreThe esthetics, principles, and processes of designing for the theater, opera, and ballet are presented from the perspective of the scenic artist as well as the stage designer |
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Contents
The Demands of Scenic Design 2 Analyzing a Play 10 Types | 47 |
Designing in New York and Elsewhere | 56 |
The Metropolitan Opera 68 | 68 |
Copyright | |
28 other sections not shown
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Common terms and phrases
actors aniline dyes applied areas Ballet binder bobbinet bottom Broadway show brush canvas casein paints Celastic charcoal costumes covered created cut drop designer's Directed director drafting draperies drawing dry pigment colors dry whiting edges elevations fabric feet finished flat floor foliage furniture glue glued ground cloth hanging inches lacquer latex lay-in light Lincoln Center linen scrim lines Lynn Pecktal materials metal Metropolitan Opera Ming Cho Lee mixed mold Music muslin muslin backdrop opaque ornament Paint elevation paper patterns Photograph pieces plaster plastic play plywood pounce priming production props proscenium Repertory Robin Wagner scene scenery scenic artists scenic designer scenic studio scrim sculpture shapes sharkstooth scrim shellac sketch spray squares Stage design stapled starch stencil Styrofoam surface texture theatre theatrical thin three-dimensional tion translucent transparent units usually velour vinyl wall widths wood wooden Yale Drama School York City Opera
Bibliographic information
| Title | Designing and Painting for the Theatre |
| Author | Lynn Pecktal |
| Publisher | Holt, Rinehart and Winston, 1975 |
| Original from | Pennsylvania State University |
| Digitized | Jun 29, 2009 |
| ISBN | 0030119014, 9780030119019 |
| Length | 412 pages |
| Export Citation | BiBTeX EndNote RefMan |