British Horror Cinema

Front Cover
Steve Chibnall, Julian Petley
Routledge, Nov 15, 2001 - Performing Arts - 256 pages

British Horror Cinema investigates a wealth of horror filmmaking in Britain, from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man.

Contributors explore the contexts in which British horror films have been censored and classified, judged by their critics and consumed by their fans. Uncovering neglected modern classics like Deathline, and addressing issues such as the representation of family and women, they consider the Britishness of British horror and examine sub-genres such as the psycho-thriller and witchcraftmovies, the work of the Amicus studio, and key filmmakers including Peter Walker.

Chapters include:

  • the 'Psycho Thriller'
  • the British censors and horror cinema
  • femininity and horror film fandom
  • witchcraft and the occult in British horror
  • Horrific films and 1930s British Cinema
  • Peter Walker and Gothic revisionism.

Also featuring a comprehensive filmography and interviews with key directors Clive Barker and Doug Bradley, this is one resource film studies students should not be without.

 

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Contents

The return of the repressed? British horrors heritage and future
1
The British censors and horror cinema
10
A crude sort of entertainment for a crude sort of audience the British critics and horror cinema
23
Screaming for release femininity and horror film fandom in Britain
42
Horrific films and 1930s British cinema
58
Psychothriller questce que cest?
71
Necromancy in the UK witchcraft and the occult in British horror
82
The old dark house the architecture of ambiguity in The Turn of the Screw and The Innocents
99
The Amicus house of horror
131
A descent into the underworld Death Line
145
A heritage of evil Pete Walker and the politics of Gothic revisionism
156
On the side of the demons Clive Barkers pleasures and painsInterviews with Clive Barker and Doug Bradley
172
Dying light an obituary for the great British horror movie
183
Filmography of British horror films of the sound era
196
Index
234
Copyright

BarbaraJulia Carol Myra and Nell diagnosing female madness in British horror cinema
117

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About the author (2001)

Steve Chibnall is Senior Lecturer in Media Studies at DeMontfort University, Leicester. He is the co-editor of British Crime Cinema (Routledge 1999). Julian Petley is Senior Lecturer in Communication and Information Studies at Brunel University. He is co-editor of Ill Effects: The Media Violence Debate: Second Edition (Routledge 2001).

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