The Camera, Volume 10Looks at 60 years of cinema masterpieces and the creative artists who pioneered and developed the language of film. |
From inside the book
Results 1-3 of 7
Page 16
... darkroom in the cellar , after his mother had worriedly removed her jars of preserves a safe distance from the " dangerous , poisonous chem- icals , " as she called them . " My only reliable information about developing , " Steichen ...
... darkroom in the cellar , after his mother had worriedly removed her jars of preserves a safe distance from the " dangerous , poisonous chem- icals , " as she called them . " My only reliable information about developing , " Steichen ...
Page 44
... darkroom " in the truest sense , a visual research lab . . . [ One can ] revisualize the final image at any point . . . . It has been and will always be alchemy . " .... JERRY UELSMANN : Small Woods Where I Met Myself ,
... darkroom " in the truest sense , a visual research lab . . . [ One can ] revisualize the final image at any point . . . . It has been and will always be alchemy . " .... JERRY UELSMANN : Small Woods Where I Met Myself ,
Page 85
... speed ( 1/60 the figures to blur slightly brilliant background light hard edges and " washed In the darkroom , the nega to produce a grainy effect of the print were bleached These two pictures are an exercise in emphasis . In.
... speed ( 1/60 the figures to blur slightly brilliant background light hard edges and " washed In the darkroom , the nega to produce a grainy effect of the print were bleached These two pictures are an exercise in emphasis . In.
Other editions - View all
Common terms and phrases
35mm camera 50mm lens Alfred Eisenstaedt amount of light angle appear artists background blur camera obscura capture concave continued Controller of Light convex darkroom depth of field detail diagram distance exposure f-stop feet film focal length focal-plane shutter focus focusing front fuzzy GJON MILI glass ground-glass HENRI CARTIER-BRESSON Hiro hole Humanities Research Center inches Irving Penn Julia Cameron Kodak landscape Lartigue LEE FRIEDLANDER Lennart Nilsson lenses Levels of Photography light entering light rays long lens look mirror motion moving negative normal lens numbers objects opposite optical painters pher photogra photograph plate portrait pose produced REJLANDER scene sharp image shown shows shutter speed single-lens reflex camera snapped Steichen taking pictures technique Time-Life tiny tograph ture turned twin-lens reflex View Camera viewfinder viewfinder camera viewing screen viewing system wide-angle lens William Garnett