Euripides and the full circle of myth
Interpretive readings of Iphigeneia in Tauris, Ion, and Helen, revaluating them as similar in dramatic form and content and as dramatizing a mythical and fulfilling pattern of personal purity, wholeness, and redemption
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action Admetus Adrastus Aeschylus Aether Alcestis Alcmena ambiguity Andromache Aphrodite Apollo Artemis Athena Athenian Aulis beauty become begins blood brother called characters chorus comedy contrivance course Creusa daughter dead death Delphi divine dramatic dream earlier earth earthborn Electra Erichthonius Euripidean Euripides Eurystheus fact father geneia goddess gods Gorgon Greek Hecuba Hera Heracleidae Heracles Hermes hero heroic high mimetic Hippolytus human sacrifice innocence intrigue Iolaus Ion's Iphi Iphigeneia ironic irony kind knowledge less lines low mimetic lyrical meaning Medea Menelaus mode moral mother motif murder myth mythic Odyssey Olympian oracle Orestes perhaps peripety phantom Phoebus play plot poet prologue purity Pylades real Helen recognition scene romances salvation seems simply Sophocles speech Stesichorus story suffering Suppliants tale Taurians techne tells thematic theme Theoclymenus Theonoe things tion tokens tone touch traditional tragedy tragic Troy true truth tyche virgin whole words Xuthus Zeus