Acting for the Camera |
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able accept acting actor actress approach audience aware become begin believe better camera cause chance character close-up comedy continue dialogue direction director don't drama dynamics effective emotional energy entire example Executive exercise face fact feel Figure film final focus give given goes hand happen hear Hold idea important intention interesting involved keep kind least light listening lives look master material means moment move necessary never NICK performance person physical pick picture play position possible preparation problem reason rehearsal remember response result rhythm role scene Secretary selections sense Set-up shoot shot sound speaking stage star stimuli stop studio sure talk teacher television tell things thought tion TONI turn walk watch woman wrong