Postproduction: Culture as Screenplay : how Art Reprograms the WorldSince the early Nineteen Nineties, an ever increasing number of artworks have been created on the basis of pre-existing works. More and more artists interpret, reproduce, re-exhibit, or use works made by others or available cultural products. This art of postproduction seems to respond to the proliferating chaos of global culture in the information age, which is characterized by an increase in the supply of works and the art world's annexation of forms ignored or disdained until now (from back of book). Use of the product from Marcel Duchamp to Jeff Koons; the DJ and contemporary art; global culture. |
From inside the book
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Page 12
... artists in question invite us to do , is above all to know how to make them one's own , to inhabit them . The activities of DJs , Web surfers , and postproduction artists imply a similar configuration of knowledge , which is ...
... artists in question invite us to do , is above all to know how to make them one's own , to inhabit them . The activities of DJs , Web surfers , and postproduction artists imply a similar configuration of knowledge , which is ...
Page 19
... Postproduction artists are agents of this evolution , the spe- cialized workers of cultural reappropriation . THE USE OF THE PRODUCT FROM MARCEL DUCHAMP TO JEFF KOONS Appropriation is indeed the first stage of postproduction : the issue ...
... Postproduction artists are agents of this evolution , the spe- cialized workers of cultural reappropriation . THE USE OF THE PRODUCT FROM MARCEL DUCHAMP TO JEFF KOONS Appropriation is indeed the first stage of postproduction : the issue ...
Page 39
... production led Conceptual artists to the dematerialization of the work of art , it leads postproduction artists toward strategies of mixing and combining products . Overproduction is no longer seen as a problem , but as a cultural ...
... production led Conceptual artists to the dematerialization of the work of art , it leads postproduction artists toward strategies of mixing and combining products . Overproduction is no longer seen as a problem , but as a cultural ...
Contents
INTRODUCTION | 7 |
THE DOMINANT ART FORM OF | 22 |
A USERS GUIDE | 39 |
Copyright | |
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Postproduction: Culture as Screenplay : how Art Reprograms the World Nicolas Bourriaud,Caroline Schneider No preview available - 2005 |
Common terms and phrases
abstract activity actors advertising aesthetic allowing Angela Bulloch Armleder Arte Povera artworks become Cattelan color Conceptual art construction consumer consumption contemporary critique culture Daniel Pflumm détourage détournement DOMINIQUE GONZALEZ-FOERSTER Dubbing Duchamp eclecticism economy eighties elements everyday exhibition favor fiction film Fontana formal functions gallery global GODARD Gordon Matta-Clark GUY DEBORD Haim Steinbach Heger and Dejanov history of art ideology images individual industrial inhabit installations Jeff Koons Joseph leisure Liam Gillick logos Lucio Fontana material meaning MIKE KELLEY Minimalist art mode of production modern art modernist museum narrative NICOLAS BOURRIAUD Nicolaus Schafhausen notion objects organized painting paperback ISBN Pardo PHILIPPE PARRENO Pierre Huyghe play Postproduction artists presented readymade reality reanimated relations represents Rirkrit Tiravanija RSITY SAN DIEGO UNIVERSITY scenarios script sculpture Situationist SITY social forms space structures techno television tion TRANS UNIV UNIVERSITY CALIFORNIA Untitled viewer visual Warhol