Postproduction: Culture as Screenplay : how Art Reprograms the WorldSince the early Nineteen Nineties, an ever increasing number of artworks have been created on the basis of pre-existing works. More and more artists interpret, reproduce, re-exhibit, or use works made by others or available cultural products. This art of postproduction seems to respond to the proliferating chaos of global culture in the information age, which is characterized by an increase in the supply of works and the art world's annexation of forms ignored or disdained until now (from back of book). Use of the product from Marcel Duchamp to Jeff Koons; the DJ and contemporary art; global culture. |
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Page 14
... functions as an active agent , a musical score , an unfolding scenario , a framework that possesses autonomy and ... function . What if artistic creation today could be compared to a col- lective sport , far from the classical mythology ...
... functions as an active agent , a musical score , an unfolding scenario , a framework that possesses autonomy and ... function . What if artistic creation today could be compared to a col- lective sport , far from the classical mythology ...
Page 26
... functions of our daily lives are slowly transformed into products of consumption ( including human relations , which are becoming a full - fledged industrial concern ) , it seems highly logical that artists might seek to rematerialize ...
... functions of our daily lives are slowly transformed into products of consumption ( including human relations , which are becoming a full - fledged industrial concern ) , it seems highly logical that artists might seek to rematerialize ...
Page 59
... function as so many images embedded in the system of the division of labor : these imaginary beings , Joseph ex- plains , obey " a cyclical , controlled , and unchanging program , " and their functional status hardly differs from that ...
... function as so many images embedded in the system of the division of labor : these imaginary beings , Joseph ex- plains , obey " a cyclical , controlled , and unchanging program , " and their functional status hardly differs from that ...
Contents
INTRODUCTION | 7 |
THE DOMINANT ART FORM OF | 22 |
A USERS GUIDE | 39 |
Copyright | |
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Postproduction: Culture as Screenplay : how Art Reprograms the World Nicolas Bourriaud,Caroline Schneider No preview available - 2005 |
Common terms and phrases
abstract activity actors advertising aesthetic allowing Angela Bulloch Armleder Arte Povera artworks become Cattelan color Conceptual art construction consumer consumption contemporary critique culture Daniel Pflumm détourage détournement DOMINIQUE GONZALEZ-FOERSTER Dubbing Duchamp eclecticism economy eighties elements everyday exhibition favor fiction film Fontana formal functions gallery global GODARD Gordon Matta-Clark GUY DEBORD Haim Steinbach Heger and Dejanov history of art ideology images individual industrial inhabit installations Jeff Koons Joseph leisure Liam Gillick logos Lucio Fontana material meaning MIKE KELLEY Minimalist art mode of production modern art modernist museum narrative NICOLAS BOURRIAUD Nicolaus Schafhausen notion objects organized painting paperback ISBN Pardo PHILIPPE PARRENO Pierre Huyghe play Postproduction artists presented readymade reality reanimated relations represents Rirkrit Tiravanija RSITY SAN DIEGO UNIVERSITY scenarios script sculpture Situationist SITY social forms space structures techno television tion TRANS UNIV UNIVERSITY CALIFORNIA Untitled viewer visual Warhol