Postproduction: Culture as Screenplay : how Art Reprograms the WorldSince the early Nineteen Nineties, an ever increasing number of artworks have been created on the basis of pre-existing works. More and more artists interpret, reproduce, re-exhibit, or use works made by others or available cultural products. This art of postproduction seems to respond to the proliferating chaos of global culture in the information age, which is characterized by an increase in the supply of works and the art world's annexation of forms ignored or disdained until now (from back of book). Use of the product from Marcel Duchamp to Jeff Koons; the DJ and contemporary art; global culture. |
From inside the book
Results 1-3 of 17
Page 33
... play a single note of music by making use of existing records . More generally , the consumer customizes and adapts the products that he or she buys to his or her personality or needs . Using a remote control is also production , the ...
... play a single note of music by making use of existing records . More generally , the consumer customizes and adapts the products that he or she buys to his or her personality or needs . Using a remote control is also production , the ...
Page 51
... play in this process ? Modes of mass production destroy the object as scenario in order to assert its foreseeable , controllable , routine char- acter . We must reintroduce the unforeseeable , the uncertainty , play : thus certain of ...
... play in this process ? Modes of mass production destroy the object as scenario in order to assert its foreseeable , controllable , routine char- acter . We must reintroduce the unforeseeable , the uncertainty , play : thus certain of ...
Page 63
... PLAYING THE WORLD : REPROGRAMMING SOCIAL FORMS The exhibition is no longer the end result of a process , its " happy ... play in real time . In short , it was an exhibition in real time , a browser launched in search of its contents ...
... PLAYING THE WORLD : REPROGRAMMING SOCIAL FORMS The exhibition is no longer the end result of a process , its " happy ... play in real time . In short , it was an exhibition in real time , a browser launched in search of its contents ...
Contents
INTRODUCTION | 7 |
THE DOMINANT ART FORM OF | 22 |
A USERS GUIDE | 39 |
Copyright | |
2 other sections not shown
Other editions - View all
Postproduction: Culture as Screenplay : how Art Reprograms the World Nicolas Bourriaud,Caroline Schneider No preview available - 2005 |
Common terms and phrases
abstract activity actors advertising aesthetic allowing Angela Bulloch Armleder Arte Povera artworks become Cattelan color Conceptual art construction consumer consumption contemporary critique culture Daniel Pflumm détourage détournement DOMINIQUE GONZALEZ-FOERSTER Dubbing Duchamp eclecticism economy eighties elements everyday exhibition favor fiction film Fontana formal functions gallery global GODARD Gordon Matta-Clark GUY DEBORD Haim Steinbach Heger and Dejanov history of art ideology images individual industrial inhabit installations Jeff Koons Joseph leisure Liam Gillick logos Lucio Fontana material meaning MIKE KELLEY Minimalist art mode of production modern art modernist museum narrative NICOLAS BOURRIAUD Nicolaus Schafhausen notion objects organized painting paperback ISBN Pardo PHILIPPE PARRENO Pierre Huyghe play Postproduction artists presented readymade reality reanimated relations represents Rirkrit Tiravanija RSITY SAN DIEGO UNIVERSITY scenarios script sculpture Situationist SITY social forms space structures techno television tion TRANS UNIV UNIVERSITY CALIFORNIA Untitled viewer visual Warhol