Postproduction: culture as screenplay : how art reprograms the world
Post-Production is the most recent essay by French curator, art critic and writer Nicolas Bourriaud. Bourriaud examines the trend, since the early 1990s, in which an increasing number of artists interpret, reproduce, re-exhibit or use works produced by others, or available cultural products, as art. Post-Production responds to the chaos of global culture in the information age. Notions of originality and creation are blurred in this new cultural landscape.
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THE USE OF OBJECTS
THE USE OF FORMS
A USERS GUlDE
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abstract activity actors advertising aesthetic allowing Angela Bulloch Armleder Arte Povera artworks B-movie become Cattelan characters color Conceptual art construction consumer consumption contemporary critique culture Daniel Pflumm detournement DOMiNiQUE GONZALEZ-FOERSTER Dubbing Duchamp eclecticism economy elements everyday exhibition favor fiction film formal framing functions gallery global Godard Gordon Matta-Clark GUY DEBORD Haim Steinbach Heger and Dejanov history of art ideology images individual industrial inhabit installations Jason Rhoades Jeff Koons Joseph leisure Liam Gillick live logos Lucio Fontana material meaning Mike Kelley Minimalist art mode of production modern art modernist museum narrative Nicolaus Schafhausen notion objects organized painting paperback lSBN Pardo Philippe Parreno pieces Pierre Huyghe play political Postproduction artists presented readymade reality reanimated relation remake represents Rirkrit Tiravanija sampling scenarios script shot Situationist social forms sort space structures techno television tion TRANS Untitled viewer visitors visual Warhol