The Great Tradition: George Eliot, Henry James, Joseph Conrad |
Contents
The Later James | 154 |
JOSEPH CONRAD | 173 |
An Analytic Note | 227 |
Copyright | |
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admirable American artist attitude Awkward Age Bitzer Bounderby Casaubon Chapter character characteristic charm civilization concrete Conrad consciousness CONSTANTIUS course creative critical D. H. Lawrence Daniel Deronda Davilow Decoud Dickens Dickens's distinction Dorothea effect English essential eyes fact father feel Felix Holt felt Flaubert genius George Eliot girl give Gradgrind Grandcourt Gwendolen Harleth hard Henry James Heyst human ideal imagination insistence intellectual intelligence intensity interest irony Isabel Archer James's Jane Austen kind Klesmer Lady living looked Lord Lord David Cecil Louisa Maggie Maisie Knew matter mature Middlemarch mind Mirah moral nature ness never Nostromo novel novelist Osmond passage Portrait preoccupation present PULCHERIA relation rendered represented Roderick Hudson Romola Rosamond scene seems sense significance Silas Marner story subtlety suggest symbolic theme THEODORA things thought tion tone tradition Transome triumph turned Verloc Victorian vision woman writing young