Making a Good Script Great
"Making a good script great is not just a matter of having a good idea. Nor is it a matter of just putting that good idea down on paper. In scriptwriting, it's not just the writing but also the 'rewriting' that counts. This book focuses on the rewriting process and offers specific methods to help you craft tighter, stronger and more workable scripts." - back cover.
15 pages matching motif in this book
Results 1-3 of 15
What people are saying - Write a review
We haven't found any reviews in the usual places.
The ThreeAct Structure Why
What Do Subplots Do?
11 other sections not shown
Act Three acter action point African Queen Allnutt Amish Amish farm attitudes audience beats become begin catalyst char character's clear climax confidante conflict contrast create creative Darth Vader dialogue dimensional Dorothy dramatic elements emotional Fatal Attraction feel film flashbacks focus foreshadowing and payoff George Ghostbusters give goal happens hero idea James Bond Jaws John Book Julie look Lorraine Luke Skywalker main character Marty McFee Michael midpoint scene momentum montage Mosquito Coast motif motivation move murder myth Pamela Wallace Paul Paul Schaeffer Peter Weir plot line point-of-view Police Academy films problems protagonist Rachel relationship rewrite Richard Kimble Rose Samuel scene sequence Schindler's List screenplay second act second turning point set-up shark situation Sometimes Star Wars story forward story scene storyline subplot line talk theme there's tion Tootsie transformation what's Witness woman writer