Renaissance and Baroque: Multiple Unity and Unified Unity in the Treatment of Verse, Ornament, and Structure, Volume 2 |
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Adam and Eve Adam's Addison allegory Aristotelian Augustinian begin Book C. S. Lewis century Chapter Christian Cleanth Brooks conceit concerned conclusion context contrast Crashaw decorative dialectical Dido difference digressions discussion dominating total motive Donne Donne's Duessa E. M. W. Tillyard Edmund Spenser elaborated elegy Elizabethan and metaphysical epic episode Eve's expense of structure Faerie Queene fall and regeneration Hanford Ibid images independently functioning members John Milton lament of nature logical relevance Lycidas lyric main action Marino metaphysical imagery metaphysical poetry Milton Milton's similes Miss Tuve Miss Wallerstein movement multiple unity narrative ornament over-all structure Paradise Lost passages perhaps Pilgrim's Progress plot poem poet poetic poetry present hypothesis present writer primarily Professor Tillyard Rajan Red Cross relation renaissance Rousset Satan says Scaliger seventeenth Spenser Spenser's similes stanza story style subordinated thee theme theory things thou total dominating motive tradition unified unity verse Whaler whole