Renaissance and Baroque: Multiple Unity and Unified Unity in the Treatment of Verse, Ornament, and Structure, Volume 2 |
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according Adam Addison baroque begin believes Book calls cause century certainly Chapter Christian concerned conclusion connection consider context contrast course Crashaw critical decorative described developed difference digressions discussion dominating Donne Donne's effect elaborated Elizabethan episode example expression fact Faerie Queene fall feel figures final functional hypothesis idea imagery images important interest kind later lead less lines literature logical Lycidas main action matter means metaphysical Milton Miss motive movement multiple unity narrative nature object observe ornament over-all Paradise Lost passages perhaps Pilgrim's Progress plot poem poet poetry possible preceding present primarily Professor question Red Cross references regeneration relation relevant renaissance respect reveal Satan says seen sense seventeenth seventeenth-century simile Spenser stanza story structure style subordinated Subsequent tend theme theory things thought Tillyard tradition true turn unified unity verse Wallerstein whole writer