Sound and Communication: An Aesthetic Cultural History of Sanskrit Hinduism

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Walter de Gruyter, Jan 28, 2011 - Religion - 1135 pages
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In Hindu India both orality and sonality have enjoyed great cultural significance since earliest times. They have a distinct influence on how people approach texts. The importance of sound and its perception has led to rites, models of cosmic order, and abstract formulas. Sound serves both to stimulate religious feelings and to give them a sensory form. Starting from the perception and interpretation of sound, the authors chart an unorthodox cultural history of India, turning their attention to an important, but often neglected aspect of daily religious life. They provide a stimulating contribution to the study of cultural systems of perception that also adds new aspects to the debate on orality and literality.


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The table of content of the book suugests that it is an enorously important and well researched book. Should be immensely useful to wide group of scholars, especially those who are interested in dhvani theory, sphotavada, and theMimamsaka view of eternanilty of sabda & hermeneutics. The price,even of the e-edition is outrageously high. I did not get it in my library and could not read the whole book. My review is based on my familiarity with philosophy of language, the table of contents+the free sample pages made available online. Hope that a comprehensive & scholarly review from a competent scholar will soon appear. Professor Tushar Sarkar. 


I Methodology
II History
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Secondary Sources

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About the author (2011)

Annette Wilke and Oliver Moebus, Westfälische Wilhelms-Universität Münster, Germany.

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