Taste and the Antique: The Lure of Classical Sculpture, 1500-1900
A history of the development of critical opinions on ancient Greek and Roman sculpture discusses the owners, identification, copies, and fame of individual statues.
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The Public and Private Collections of Rome
Plaster Casts and Prints
Control and Codif1cation
acquired admired Aldrovandi ancient anthology Antinous antique sculpture antique statues Apollo Belvedere Arrotino artists Bartoli beautiful Boyer bronze copies bust Callipygian Venus Capitoline Museum Cardinal catalogued in Helbig Cavalleriis Caylus Centaur collection courtyard Discobolus displayed Duke earlier early eighteenth century engraved excavated f1gures f1rst famous Farnese Hercules Faun Ficoroni Flora Florence Francois Furietti Furietti Centaurs gallery gardens Gladiator Greek Hadrian's Villa Ibid Italy known Lalande Lanciani Laocoon later Louvre Ludovisi Maffei Mansuelli marble copy Marble Height Marcus Aurelius Michaelis Montaiglon Correspondance Montfaucon Musee Museo Nazionale Naples nineteenth century original palace Palazzo Palazzo dei Conservatori Paris Perrier plaster casts plate Pliny Pope portrait Praxiteles Prince published recorded replicas reproduced restored Richardson Robertson Roman Rome royal scholars sculpture seventeenth century sixteenth Souchal statue court statue's statuettes Stuart Jones Torso travellers Tribuna Uffizi Vacca Vasari Vase Vatican Museum Venus Versailles Visconti Visconti Pio-Clementino Winckelmann Zoffoli
Page 350 - Naples and the Campagna Felice. In a series of letters addressed to a friend in England in 1802. With folding map, engraved title and 16 finely coloured plates by Rowlandson. FIRST EDITION. Royal 8vo, very fine uncut copy, bound by Riviere in full' crushed levant morocco extra, gilt back, teg London, 1851.