The SAGE Handbook of Film Studies
James Donald, Michael Renov
SAGE, Apr 16, 2008 - Language Arts & Disciplines - 536 pages
Written by a team of veteran scholars and exciting emerging talents, The SAGE Handbook of Film Studies maps the field internationally, drawing out regional differences in the way that systematic intellectual reflection on cinema and film has been translated into an academic discipline.
It examines the conversations between Film Studies and its contributory disciplines that not only defined a new field of discourse but also modified existing scholarly traditions. It reflects on the field's dominant paradigms and debates and evaluates their continuing salience. Finally, it looks forward optimistically to the future of the medium of film, the institution of cinema and the discipline of Film Studies at a time when the very existence of film and cinema are being called into question by new technological, industrial and aesthetic developments.
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17 TVs Next Season?
18 Film and Cultural Studies
SECTION III Paradigms in Perspective
19 The Hollywood Industry Paradigm
20 Formalist Tendencies in Film Studies
21 The Persistence of the AvantGarde
22 Film and as Modernity
The Political Expectations of Film Theory
The Development of Mexican Film Studies at Home and Abroad
9 Postcolonial and Transnational Perspectives
SECTION II Disciplinary Dialogues
10 Film and Philosophy
Film Studies and Continental European Philosophy
Film has Two Eyes
13 Film and History
14 Mass Media Anthropology and Ethnography
15 Psychoanalysis and Cinema
16 The Political Economy of Film
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academic aesthetic American Cinema analysis approach argues artistic audiences Australian Film auteur avant-garde Bazin Bordwell Cahiers du cinéma California Press Cambridge camera Chandni Bar China Chinese cinema Chinese film classical Classical Hollywood Cinema concept contemporary context critique cult film cultural studies debate Deleuze Devdas discourse documentary Duke University economic emergence essay European film example feminist fiction film culture film history film industry film production film scholars film scholarship Film Studies film theory film’s filmmakers genre global historians idea ideology Indian cinema Journal Kracauer London medium Mexican mise en scène modernity narrative national cinema O’Regan paradigm perspective philosophy political popular postcolonial postmodern Princeton psychoanalysis question realism reality relation relationship representation Routledge screen theory semiotics shot social specific spectator structures symptom television textual theoretical theorists Third Cinema tradition transnational visual women writing York