Richard Strauss: Salome
This full-length study of Salome is the first in English since Lawrence Gilman's introductory guide of 1907. The handbook presents an informative collection of historical, critical and analytical studies of one of Strauss's most familiar operas. Classic essays by Mario Praz and Richard Ellmann cover the literary background. How Strauss adopted Wilde's play for his libretto is discussed by Roland Tenschert in a fascinating essay which has been updated by Derrick Puffett. In three central analytical chapters, Derrick Puffett considers Salome in relation to Wagnerian music drama, Tethys Carpenter examines its tonal and dramatic structure, and Craig Ayrey analyses the final monologue. The last part of the book moves from analysis to criticism, with a review by John Williamson of the opera's critical reception and an interpretative essay by Robin Holloway. The book also contains a synopsis, bibliography, and discography; Strauss's little-known scenario for the 'Dance of the Seven Veils' is reprinted as an appendix.
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Overtures to Salome
Overtures to Wildes Salome
Strauss as librettist
Salome as music drama
Tonal and dramatic structure
Salomes final monologue
aesthetic annotations artist bars before Fig beginning Boosey and Hawkes Cambridge Chapter character chord cistern clarinet composer critics Dahlhaus Dance Der Rosenkavalier dissonance Elektra essay Example F sharp Feuersnot final monologue flat minor harmonic head Herod Herodias Hugo von Hofmannsthal Ibid interlude Jochanaan John Jokanaan kissed thy mouth kommt L. J. Lawrence London Lachmann's later leitmotive Letters of Oscar libretto Lord Alfred Douglas Mahler major/minor Mario Praz Metropolitan Opera moon motif motive music drama Narraboth Newman Opera Orch orchestral Oscar Wilde passage passion Pater performance pitch poem Praz progression prophet purely musical Quoted remark Renaissance Richard Ellmann Richard Strauss Rosenkavalier Ruskin Salome Salome's Salome's final Scene Schmidgall Schoenberg score Seven Veils sharp major sketches statement Stones of Venice symbolic symbolises symphonic tamtam Tenschert Tetrarch theme thou tonal trans translation trill Vienna voice Wagner Wagnerian Wilde's play Willi Schuh words Wozzeck write
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