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Kavya and Nritya
The Varnam in Bharatanatyam
Abhinaya the Path to Rasa
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Abhinavagupta abhinaya actor aesthetic Aham amsha Anandavardhana ancient artist audience Bahutva Bengali theatre Bhakti Bhakti poetry Bharata Bharatanatyam Bhoja Bihag century character classical compositions contemporary theatre context conventions creative cultural dancer deity Delhi depicted Director drama Duryodhana epic erotic expression Festival gandhara genre Hindi idiom important Indian theatre Jatra javali Jayadeva Jhumuras Kalidasa Kalyan Kathakali Koothu Krishna Kshetragna Kshetrajna Kutiyattam language literary literature lover madhyama Manipuri Manipuri theatre Marathi modern movement music and dance Natya Natyasastra Natyashastra nayikas nishada nritya nyasa padams pancama G Patwardhan performing arts phrase plays playwrights poem poetic poets Prakrit production raga Rama rasa rasika rishabha ritual sadja Sangam sangati Sangeet Natak Akademi Sanskrit sentiment social songs sringara stage style stylized Subramaniam Tamil Telugu Thakur theatre workers theatrical theme Thiyam tion traditional forms traditional theatre types uparupakas Valmiki varnam Vedi verse Vijaya Mehta vipralamba xxxx xxxxxx xxxxxxxxx