Drama: A Guide to the Study of Plays
This book introduces the elements of drama and the principles behind the reading and study of plays - classical and modern. It makes a special point of seeing drama as intended for acting and performance, and it therefore emphasizes the role of the spectator at a play and the sort of theatre for which drama was written. The performance approach to the study of plays finally clarifies the different kinds of drama (comedy, tragedy, melodrama, and farce) and identifies its forms (realism, stylization, and symbolism). The book draws on specific examples of drama, is rich in helpful charts and diagrams, and contains a comprehensive glossary. <I>Drama will be a useful guide for students and general playgoers alike.
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Thy Eyes Shall Be Thy Judge
Characters in Search of an Actor
Ordering the Action
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acter acting area action actor and audience Aristotle Associated auditorium behavior Bertolt Brecht Brecht Chekhov chorus clown comedy comic commedia dell'arte Constantin Stanislavsky convention convey costume curtain dance decor dialogue dress effect eighteenth century elements Elizabethan drama Elizabethan playhouse emotional epic theatre ESTRAGON expressionism eyes farce feeling Figure French genre gesture and movement Greek tragedy Greek tragic Hamlet hero human humor iambic Ibsen imagination intended Jacobean Jonson kind King Lear lighting Macbeth mask medieval drama melodrama ment modern theatre moral nature Nevertheless nineteenth century Oedipus Oedipus the King opera Othello patterns performance period pity and fear platform playwrights plot poetic props proscenium arch prose realistic Restoration Restoration Comedy romantic satire scene scenery scenic sense Shakespeare Shaw social song speak spectator spectator's speech stage story style stylized suggest symbolic term theatrical tragicomedy trans unities verse Victorian theatre VLADIMIR voice well-made play words