The Ambrosian Cantus |
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Page 117
... repertory pre- sented by the summary of this musical analysis in Tables 2 , 3 and 4 , it is time to offer a few remarks about the development of the Can- tus , the individual melodies and the repertory as a whole . I will begin with the ...
... repertory pre- sented by the summary of this musical analysis in Tables 2 , 3 and 4 , it is time to offer a few remarks about the development of the Can- tus , the individual melodies and the repertory as a whole . I will begin with the ...
Page 123
... repertory produced one interesting anomaly that should be mentioned . In eleventh - century sources , the Feast of the Holy Innocents , even though it does not fall within the period of penance , was assigned a Tract ( unless it fell on ...
... repertory produced one interesting anomaly that should be mentioned . In eleventh - century sources , the Feast of the Holy Innocents , even though it does not fall within the period of penance , was assigned a Tract ( unless it fell on ...
Page 130
... repertory as a whole . Ferretti's analyses present a false picture of a musical practice that is , in fact , far ... repertory has yet to appear . A thorough analysis of the Gregorian Tracts will obviously be re- quired before their ...
... repertory as a whole . Ferretti's analyses present a false picture of a musical practice that is , in fact , far ... repertory has yet to appear . A thorough analysis of the Gregorian Tracts will obviously be re- quired before their ...
Contents
Preface | 7 |
The Cantus in the Liturgy | 23 |
The Cantus Outside Mass | 40 |
Copyright | |
2 other sections not shown
Common terms and phrases
adaptation Alleluia Ambrosian books Ambrosian Chant ANIMA appear assigned AUTEM AUXILIUM MEUM Be-ne-di-ci BENEDICAM DOMINUM BENEDICITE BENEDICTUS Canticles Beroldus cadential prolongation caesura canticum Cantus melody Cantus-Tract CONSERVA CONVERTENDO DOMINE EXAUDI DOMINE LIBERA DOMINUS DOMINUS CUSTODIAT DOMINUS IUSTUS ECCE QUAM EDEBAT edition elaboration Example 11 Example 20 first-verses fontes Friday Gregorian Chant Helmut Hucke Holy Saturday Holy Thursday Holy Week indicated initium later LAUDATE DOMINUM lessons LEVAVI OCULOS liturgy manuscripts Mass Cantus Mass chants melisma Mh f Milan Milanese musical phrases NISI QUOD obviously Old-Beneventan phrases A1 PROFUNDIS proparoxytone psalm verse Psalmelli psalmody QUIA ILLIC QUONIAM CONFIRMATA reciting formula reciting tone reciting-tone reference REGIS repertory Respond-Gradual responsory runt semiverse Sextuplex SICUT CERVUS SICUT UNGUENTUM simple psalmody structure suggested sung SUPER FLUMINA SUPRA DORSUM syllables Table termination figure text-bearing third verses Tunc type-melody Vh f vigil W phrase whole psalms