The Ambrosian Cantus |
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Page 91
... text - bearing phrases of the Cantus . - - Although all text - bearing phrases those assigned the letters A , C , W and Y ( whether upper or lower case ) in Tables 2 , 3 and 4 – are indeed constructed around the same notes of a formula ...
... text - bearing phrases of the Cantus . - - Although all text - bearing phrases those assigned the letters A , C , W and Y ( whether upper or lower case ) in Tables 2 , 3 and 4 – are indeed constructed around the same notes of a formula ...
Page 112
... text is adapted with perfect regularity . It might appear that in the ... bearing phrases in first verses . NISI QUOD , which , like CONSERVA , stands ... text - bearing parts of the first verse melodies . That NISI QUOD does represent an ...
... text is adapted with perfect regularity . It might appear that in the ... bearing phrases in first verses . NISI QUOD , which , like CONSERVA , stands ... text - bearing parts of the first verse melodies . That NISI QUOD does represent an ...
Page 130
... text- bearing portions of the melody can be shown to be variously elaborated versions of a basic reciting formula . In the Gregorian , Old - Roman and Old - Beneventan versions of the chants , as in the Ambrosian , there are what I have ...
... text- bearing portions of the melody can be shown to be variously elaborated versions of a basic reciting formula . In the Gregorian , Old - Roman and Old - Beneventan versions of the chants , as in the Ambrosian , there are what I have ...
Contents
Preface | 7 |
The Cantus in the Liturgy | 23 |
The Cantus Outside Mass | 40 |
Copyright | |
2 other sections not shown
Common terms and phrases
adaptation Alleluia Ambrosian books Ambrosian Chant ANIMA appear assigned AUTEM AUXILIUM MEUM Be-ne-di-ci BENEDICAM DOMINUM BENEDICITE BENEDICTUS Canticles Beroldus cadential prolongation caesura canticum Cantus melody Cantus-Tract CONSERVA CONVERTENDO DOMINE EXAUDI DOMINE LIBERA DOMINUS DOMINUS CUSTODIAT DOMINUS IUSTUS ECCE QUAM EDEBAT edition elaboration Example 11 Example 20 first-verses fontes Friday Gregorian Chant Helmut Hucke Holy Saturday Holy Thursday Holy Week indicated initium later LAUDATE DOMINUM lessons LEVAVI OCULOS liturgy manuscripts Mass Cantus Mass chants melisma Mh f Milan Milanese musical phrases NISI QUOD obviously Old-Beneventan phrases A1 PROFUNDIS proparoxytone psalm verse Psalmelli psalmody QUIA ILLIC QUONIAM CONFIRMATA reciting formula reciting tone reciting-tone reference REGIS repertory Respond-Gradual responsory runt semiverse Sextuplex SICUT CERVUS SICUT UNGUENTUM simple psalmody structure suggested sung SUPER FLUMINA SUPRA DORSUM syllables Table termination figure text-bearing third verses Tunc type-melody Vh f vigil W phrase whole psalms