The Roots of Southern Writing: Essays on the Literature of the American South

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University of Georgia Press, 2008 - Literary Criticism - 252 pages
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At the heart of the southern riddle you will find a union of opposites, a condition of instability, a paradox. Calm grace and raw hatred. Polished manners and violence. An intense individualism and intense group pressures toward conformity. A reverence to the point of idolatry of self-determining action and a caste and class structure presupposing an aristocratic hierarchy. A passion for political action and a willingness to surrender to the enslavement of demagogues. A love of the nation intense enough to make the South's fighting men notorious in our wars and the advocacy of interposition and of the public defiance of national law. A region breeding both Thomas Jefferson and John C. Calhoun. If these contradictions are to be brought in focus, if these ambiguities are to be resolved, it must be through the 'reconciliation of opposites.' And the reconciliation of opposites, as Coleridge has told us, is the function of the poet.

So begins the first of these seventeen penetrating essays drawn from long and fruitful reflection of southern life and art by C. Hugh Holman. Professor Holman maintains that there is a congeries of characteristics identifiably present in much southern writing, and he astutely defines them in this collection.

William Gilmore Simms, Ellen Glasgow, Thomas Wolfe, William Faulkner, and Flannery O'Connor are treated at length. Among the other authors considered in terms of their roles in the making of the southern mind are James Branch Cabell, T.S. Stribling, Erskine Caldwell, and Robert Penn Warren. The essays strike a fine balance between general overview and specific analysis, and they are so arranged as to make a unified study which forms a significant chapter in the intellectual history of the South.

Professor Holman asserts that "out of the cauldron of the South's experience, the southern writer has fashioned tragic grandeur and given it as a gift to his fellow Americans. It is possible that no other southern accomplishment will equal it in enduring importance. As urbanization and industrialism conspire to write an 'Epitaph for Dixie,' its greatest contribution to mankind may well be the lesson of its history and the drama of its suffering." In these superb essays the author makes a convincing argument for that position.

 

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Contents

The Southerner as American Writer
1
Views and Reviews
16
William Gilmore Simms s Picture of the Revolution as a Civil War
35
The Influence of Scott and Cooper on Simms
50
Simms and the British Dramatists
61
William Gilmore Simms and the American Renaissance
75
The Novel in the South
87
The View from the Regency Hyatt
96
The Loneliness at the Core
134
Europe as Catalyst for Thomas Wolfe
139
Light in August
149
Absalom Absalom The Historian as Detective
168
Her Rue with a Difference
177
Literature and Culture The FugitiveAgrarians
187
Three Views of the Real
194
Notes
201

The Novelist of Manners as Social Critic
108
The Dark Ruined Helen of his Blood Thomas Wolfe and the South
118

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About the author (2008)

C. Hugh Holman, who taught for many years in the English department at the University of North Carolina, was a highly regarded scholar of such writers as Thomas Wolfe, John P. Marquand, and William Gilmore Simms. He wrote or edited a number of books, including A Handbook to Literature, The American Novel through Henry James, and The World of Thomas Wolfe. Holman was instrumental in the creation of the National Humanities Center. The Society for the Study of Southern Literature gives an annual award in his name for "the best book of literary scholarship or literary criticism in the field of Southern Literature."

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