Flemish Art and Architecture, 1585-170002 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. |
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Contents
From the Fall of Antwerp to the TwelveYear Truce 15851609 | 13 |
The Period of the TwelveYear Truce 16091621 | 27 |
From the TwelveYear Truce to the Treaty of Münster 16211648 | 47 |
After the Treaty of Münster 16481700 | 92 |
Cabinetsized history painting | 105 |
Portrait painting | 117 |
Genre Painting | 149 |
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Common terms and phrases
able activity allegorical altar Antwerp Antwerpen appearance architecture arrangement artists Baroque became become Brueghel Brussels building century character characteristic church classical clear clearly collection colour commissions compositions connection contemporary copies Cornelis Countries court dated decorative designed drawings Dyck Dyck's earlier early effect example executed exhib expression façade fact figures Flemish flower Frans genre give hand important impression influence Italian Italy Jacob Jordaens known Koninklijk Museum landscape late later light lively London mainly master monumental motifs Museum nature original painters painting Paris particularly perhaps period pieces Pieter play portraits princes produced Quellinus reference religious remarkable role Rome Rubens Rubens's scenes Schone Kunsten sculpture seems seen seventeenth century significance similar Southern Netherlands style stylistic Teniers tion town tradition typical Van Dyck views Vlieghe
References to this book
Back to Nature: The Green and the Real in the Late Renaissance Robert N. Watson No preview available - 2007 |
Die Signatur: Formen und Funktionen vom Mittelalter bis zum 17. Jahrhundert Tobias Burg No preview available - 2007 |