Stephen Sondheim and Andrew Lloyd Webber : The New Musical: The New Musical

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Oxford University Press, USA, Aug 13, 2001 - Music - 464 pages
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The New York Times called Stephen Sondheim "the greatest and perhaps best known artist in the American musical theater," while two months earlier, the same paper referred to his contemporary, Andrew Lloyd-Webber as "the most commercially successful composer in history." Whatever their individual achievements might be, it is agreed by most critics that these two colossi have dominated world musical theater for the last quarter century and hold the key to the direction the musical stage will take in the future. Here in the third volume of Stephen Citron's distinguished series The Great Songwriters--in depth studies that illuminated the musical contributions, careers, and lives of Noel Coward and Cole Porter (Noel & Cole: The Sophisticates), and Oscar Hammerstein 2nd and Alan Jay Lerner, (The Wordsmiths)--this eminent musicologist has taken on our two leading contemporary contributors to the lyric stage. His aim has not been to compare or judge one's merits over the other, but to make the reader discover through their works and those of their contemporaries, the changes and path of that glorious artform we call Musical Theater. In his quest, Citron offers unique insight into each artist's working methods, analyzing their scores--including their early works and works-in-progress. As in Citron's previously critically acclaimed books in this series, great significance is given to the impact their youthful training and private lives have had upon their amazing creative output. Beginning with Sondheim's lyrics-only works, West Side Story, Gypsy, Do I Hear A Waltz? through his scores for Saturday Night, Company, Anyone Can Whistle, Follies, Pacific Overtures, A Little Night Music, Sweeney Todd, Merrily We Roll Along, Sunday In the Park, Into the Woods, Assassins, and Passion, all these milestones of musical theater have been explored. Lloyd-Webber's musical contribution from his early works, The Likes of Us and Joseph to Jesus Christ Superstar, Evita, Cats, Starlight Express, Aspects of Love, By Jeeves, The Phantom of the Opera, Song & Dance, Mass, Sunset Boulevard to Whistle Down the Wind are also thoroughly analyzed. The works of these two splendid artists are clarified for the casual or professional reader in context with their contemporaries. Complete with a quadruple chronology (Sondheim, Lloyd-Webber, US Theater, British Theater), copious quotations from their works, and many never before published illustrations, the future of the artform that is the crowning achievement of the 20th century is made eminently clear in this book. Sondheim & Lloyd-Webber is a must-read for anyone interested in the contemporary theater.

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Sondheim and Lloyd-Webber: the new musical

User Review  - Not Available - Book Verdict

In his latest entry of "The Great Songwriters" series (after The Wordsmiths, LJ 6/1/95), Citron profiles Stephen Sondheim and Andrew Lloyd-Webber, two of the late 20th century's most prominent ... Read full review

Review: Stephen Sondheim and Andrew Lloyd Webber: The New Musical (Great Songwriters Series)

User Review  - Goodreads

I'm actually just kind of skimming through this book. Although it has an interesting premise, Sondheim and Lloyd Webber as the main players in late 20th century musical theater, it's appallingly ... Read full review


The New Musical
Early Sondheim
Sondheim in WilUamstown
SondheimWords Only
Words andFinallyWords and Music
LloydWebber and RiceThe Sixties
Sondheim in the Eclectic Late 60s
The Team Comes of Age
A Revue and a True Opera
Song and Cat Dancing
Not So Merrily
A Tale for Children
Two Pieces for Sarah
Acts Villainous
Cracking the Nutshell
The Film Noir Becomes Plus Noir

Prince Company
Superstars on Broadway and Jeeves
A Masque and an Oriental Odyssey
A Rainbow Goddess
The Road Ahead

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Andrew Lloyd Webber
John Snelson
Limited preview - 2008
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About the author (2001)

Stephen Citron is a composer, lyricist, and lecturer. He is the author of Songwriting, the standard reference work on the subject, The Musical From the Inside Out, Noel & Cole, and The Wordsmiths. He lives in New York City.

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