Good vibrations: a history of record production
From Elvis Presley's 'Heartbreak Hotel' through 'Telstar', Pet Sounds, Sgt Pepper's Lonely Hearts Club Band, The Dark Side Of The Moon, 'Bohemian Rhapsody,' 'Anarchy In The UK', 'Heroes', 'Vienna', 'Two Tribes', Zooropa and Older, to more recent albums by BritPop stars Oasis, Kula Shaker, Cast and Radiohead, Good Vibrations - A History Of Record Production plots the development of popular music recording from the perspectives of the producers, engineers and session players.
A perfect blend of the creative, the technical and the human, it chronicles the pioneers and their milestone achievements - from Les Paul's invention of multitracking in 1949, through the experimentation of the Sixties, to the dramatic advances in the miniaturisation and affordability of equipment which has given streetwise kids the tools to create hits in their bedrooms.
Featuring contributions from Sir George Martin, Les Paul, Brian Wilson, Tom Dowd, Tony Visconti, Chris Thomas, Roy Thomas Baker, Midge Ure, Trevor Horn, Hugh Padgham, Pete Waterman and Brit Award-winning producers Brian Eno and John Leckie, this fully revised second edition brings the history of record production right up to date with a look at the making of Sir Elton John's record-breaking tribute to Diana, Princess of Wales ('Candle In The Wind 1997'), and how the influence of yesteryear has shaped the music of the late Nineties.
72 pages matching heard in this book
Results 1-3 of 72
What people are saying - Write a review
We haven't found any reviews in the usual places.
to the 1998 Btftion
LET THERE BE SOUND ON SOUND
9 other sections not shown
Abbey Road Studios acoustic album artists audio backing track band band's bass drum Beach Boys Beatles became Blue Bohemian Rhapsody Brian career Carol Kaye Chris classic control room Dave Decca demos desk Dowd drummer early echo effects eight-track electronic Elton engineer equipment everything four-track George Martin Gilmour going guitar guitarist guys hear heard Horn Hugh Padgham idea instrument John keyboard knew listen live London Love Manfred Mann McCartney Mellotron microphone Mike mixing console Motown multitrack musicians never Number orchestral overdubs Padgham Parsons Paul Pet Sounds Phil piano Pink Floyd player playing producer radio realised recording studio release rhythm rock roll Roxy Music says session Seventies single Sixties solo song songwriter sound Spector started stereo Steve strings stuff synth synthesiser tape machine things thought took Trevor Trevor Horn Trident vocal wanted