Postmodernity, Ethics and the Novel: From Leavis to Levinas

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Psychology Press, 1999 - Literary Criticism - 230 pages
In Postmodernity, Ethics and the Novel Andrew Gibson sets out to demonstrate that postmodern theory has actually made possible an ethical discourse around fiction.
Each chapter elaborates and discusses a particular aspect of Levinas' thought and raises questions for that thought and its bearing on the novel. It also contains detailed analyses of particular texts. Part of the book's originality is its concentration on a range of modernist and postmodern novels which have seldom if ever served as the basis for a larger ethical theory of fiction.
Postmodernity, Ethics and the Novel discusses among others the writings of Joseph Conrad, Henry James, Jane Austen, Samuel Beckett, Marcel Proust and Salman Rushdie.
 

Contents

Narrative and alterity
25
James Gather and the Zwischen
29
Excendance
36
some postmodern fiction
41
Ethnics and unrepresentability
54
Heart of Darkness and the limits of representation
57
Ethics and the postmodern sublime
66
Negativity and melancholia
76
Ethics of the event Beckett
134
Becketts later prose
140
Badiou and Beckett
146
Responses
159
Sensibility
161
sensibility and expenditure
164
Suffering and staging in Rhys
167
Cornell Nin and fissures in reality
173

Ethics and the dissolution of the novel
85
Johnson Pinget
91
Bowen and the sphere of the common
99
Events
109
Proustian ethics
111
The double logic of the Recherche
117
Marcels others
123
Reception and receptivity
186
Blanchot and the innocence of reading
189
The splitspace of reception
194
reading East to West
201
Bibliography
213
Index
225
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About the author (1999)

Andrew Gibson is Dircetor of the MA in Postmodernism, Literature and Culture at Royal Holloway, University of London.