Americanizing the Movies and Movie-Mad Audiences, 1910-1914

Front Cover
University of California Press, Aug 28, 2006 - Performing Arts - 391 pages
This engaging, deeply researched study provides the richest and most nuanced picture we have to date of cinema—both movies and movie-going—in the early 1910s. At the same time, it makes clear the profound relationship between early cinema and the construction of a national identity in this important transitional period in the United States. Richard Abel looks closely at sensational melodramas, including westerns (cowboy, cowboy-girl, and Indian pictures), Civil War films (especially girl-spy films), detective films, and animal pictures—all popular genres of the day that have received little critical attention. He simultaneously analyzes film distribution and exhibition practices in order to reconstruct a context for understanding moviegoing at a time when American cities were coming to grips with new groups of immigrants and women working outside the home. Drawing from a wealth of research in archive prints, the trade press, fan magazines, newspaper advertising, reviews, and syndicated columns—the latter of which highlight the importance of the emerging star system—Abel sheds new light on the history of the film industry, on working-class and immigrant culture at the turn of the century, and on the process of imaging a national community.
 

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Chapter 1 American Variety andor Foreign Features
13
Chapter 2 The Usable Past of Westerns
61
Chapter 3 The Usable Past of Westerns
105
Chapter 4 The Usable Past of Civil War Films
141
Chapter 5 The Usable Present of Thrillers
185
Chapter 6 The Power of Personality in Pictures
231
Notes
257
Bibliography
351
Index
357
Copyright

Other editions - View all

Common terms and phrases

Popular passages

Page v - Eeyore, the old grey Donkey, stood by the side of the stream, and looked at himself in the water. "Pathetic," he said. "That's what it is. Pathetic." He turned and walked slowly down the stream for twenty yards, splashed across it, and walked slowly back on the other side. Then he looked at himself in the water again. "As I thought,
Page v - It would be sheer fantasy to imagine that for each historical problem there is a unique type of document with a specific sort of use.

About the author (2006)

Richard Abel is the Robert Altman Collegiate Professor of Film Studies at the University of Michigan. He is the author of Encyclopedia of Early Cinema, The Red Rooster Scare: Making Cinema American (UC Press), and The Ciné Goes to Town (UC Press), among other books.

Bibliographic information