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Some Remarks on Architecture
Modes of Production and Architectural Forms
Differential Relationship of Base
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Abanindranath academic Amrita Sher-Gil architecture art schools artists audience Baroda Bendre Bengal School Bharata Bhatkhande Bombay bourgeois bourgeois zamindar British imperialism bureaucratic Calcutta capitalist censorship cent century chapter cheejas cinema colour Committee comprador Congress crores culture dance Delhi dhrupad economic European exhibition fact film industry film-makers Gandhi gharana Government Hindi Hindustani Ibid ideological imperialist Indian Art Indian bourgeoisie Indian classical music Indian feudal Indian film Indian music Indian painting Indian raga Indian society influence Jamini Roy Khan khayal kulak labour lakhs Lalit Kala Akademi Lalit Kala Contemporary literature London Madras Maharashtra Marathi mass ment Modern Indian movement musicians nationalist native Nehru neo-colonial organised painters period phase political present writer princelings produced raga raga system rasa Ravi Shankar Ravi Varma Satyajit Satyajit Ray School of Art sculpture Section Shankar Sher-Gil social songs style Tagore Tagore's theatre thumri tion whilst zamindar