The Plays and Poems of William Shakspeare: With the Corrections and Illustrations of Various Commentators, Volume 1
William Shakespeare, James Boswell, Edmond Malone, Samuel Johnson, Alexander Pope, Mr. Theobald (Lewis), Sir Thomas Hanmer, William Warburton, George Steevens, Edward Capell, Isaac Reed
F. C. and J. Rivington, 1821
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
acquainted admirable ancient appears Ben Jonson character comedy copies correct corrupted criticism death dramatick Dryden edition of Shakspeare editor English engraving errors Essay Ford French genius Greek Hamlet hath honour imitated instance John Jonson King Lear labour language late Latin learning letter lines Lond Love's Labour's Lost Lover's Melancholy Macbeth Malone Malone's Merchant of Venice metre nature never observed opinion original pamphlet passage perhaps piece play players Plutarch poem poet poet's poetry Pope portrait praise preface prefixed present printed publick published quarto Queen reader remarks Romeo and Juliet says scene second folio Shak Shakspeare Shakspeare's speare Spenser stage Steevens supposed syllables theatre thee Theobald thing Thomas thou thought tion Titus Andronicus tragedy translated Troilus and Cressida truth verses William William D'Avenant Winter's Tale words writer written
Page 476 - For though the Poet's matter Nature be His art doth give the fashion. And that he Who casts to write a living line, must sweat (Such as thine are), and strike the second heat Upon the Muses...
Page xlvi - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Page 484 - WHAT needs my Shakespeare for his honoured bones, The labour of an age in piled stones, Or that his hallowed relics should be hid Under a star-ypointing pyramid? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name? Thou in our wonder and astonishment Hast built thyself a live-long monument. For whilst to th...
Page 459 - Taint not thy mind, nor let thy soul contrive Against thy mother aught; leave her to heaven, And to those thorns that in her bosom lodge To prick and sting her.
Page 319 - Their downy breast; the swan with arched neck, Between her white wings, mantling proudly, rows Her state with oary feet...
Page 473 - To draw no envy, Shakespeare, on thy name, Am I thus ample to thy book and fame, While I confess thy writings to be such As neither man nor muse can praise too much.
Page 251 - To guard a title that was rich before, To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, [s wasteful and ridiculous excess.
Page 454 - And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress
Page 502 - This pencil take' (she said), 'whose colours clear Richly paint the vernal year: Thine, too, these golden keys, immortal Boy! This can unlock the gates of joy; Of horror that, and thrilling fears, Or ope the sacred source of sympathetic tears.