Designed for delight: alternative aspects of twentieth-century decorative arts
By the early part of this century, the principles of Modernism in design-- simplicity of form, little or no ornament, truth to materials-- were established as avant-garde ideas, and functionalism soon became an overriding concern. However, looking back from our fin-de-siècle perspective, it is evident that the history of modern design is far more varied and complex. This lavishly illustrated and beautifully designed book demonstrates the surprising ways in which Modernist designers also took alternative routes to create art beyond function.
From Art Nouveau and the Wiener Werkstätte to Pop and Post-modernism, Designed for Delight presents over 200 works from the collection of the Montreal Museum of Decorative Arts, in all media, focusing in particular on four aspects of the decorative arts through objects and essays. "Body Language" explores the ways in which the human body and its various parts have been used as elements of design. In "Inversion and Transformation" we see how materials have been unexpectedly inverted. Contrary to the accepted notion that Modern design should be devoid of ornament, the richly decorated surfaces and textures of objects in "Is Ornament a Crime?" argue for the everlasting appeal of floral and geometric patterns. Fantasy and illusion have been equally compelling, and "Flights of Fantasy" demonstrates how twentieth-century artists and designers incorporated the fantastic and even the irrational into their work.
Alongside scholarly inquiries on these themes, four essays reflect on the broader context of architecture, painting, sculpture, and design. The objects are accompanied by the words of the artists themselves, or of commentators from throughout the century-- including many quotations unique to this book-- Lalique and Hoffmann, Dalí and Ruhlmann, Pucci and Nikki de Saint-Phalle, Pesce, Sottsass, and Starck. Their words provide a fascinating glimpse into the processes of creation and perception. Published to coincide with a landmark traveling exhibition organized by the Montreal Museum of Decorative Arts, Designed for Delight is certain to become a standard reference for decorative arts of the twentieth century.
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Mrs David M Stewart President
Luc dIbervilleMoreau Director
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affixed to underside Alessandro Mendini Andrea Branzi anonymous gift architecture artist Barbini black on underside body born century ceramic chair color created Cubism culture Dale Chihuly Designed for Delight device died enameled Ettore Sottsass example Executed exhibition fabric fantasy female floral flowers Fornasetti France Frank Gehry Gaetano Pesce geometric gift of Paul glass Glazed earthenware Glazed porcelain Gustavsberg handles human idea Impressed on underside Ingo Maurer interview with MMDA Italy Jean-Paul Gaultier jewelry lamp Leerdam letter to MMDA Liliane and David Masanori Umeda materials metal Milan modern design Modernist Montreal Museum motifs nature nude objects ornament Orrefors painting Paris pattern Paul Leblanc Philippe Starck plastic Pregnana Milanese present Unmarked Printed cotton Printed in black Produced Rene Lalique sculpture Sevres shapes Silver Stewart Collection Surrealist symbol teapot textile cat traditional twentieth twentieth-century design Vally Wieselthier vase cat Vase Designed Venini Vienna Wiener Werkstatte York