The Emancipated Spectator

Front Cover
Verso, 2011 - Philosophy - 134 pages
8 Reviews
The theorists of art and film commonly depict the modern audience as aesthetically and politically passive. In response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a communal performance.

In this follow-up to the acclaimed The Future of the Image, Rancière takes a radically different approach to this attempted emancipation. First asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, ironically, a sad affirmation of its omnipotence?


From the Hardcover edition.

What people are saying - Write a review

User ratings

5 stars
2
4 stars
6
3 stars
0
2 stars
0
1 star
0

Review: The Emancipated Spectator

User Review  - Gretta - Goodreads

This is one of the best discussions regarding the viewer's role in art. It's absolutely a must read for anyone interested in media studies, theatre, museum studies, or anything media. Read full review

Review: The Emancipated Spectator

User Review  - Goodreads

This is one of the best discussions regarding the viewer's role in art. It's absolutely a must read for anyone interested in media studies, theatre, museum studies, or anything media. Read full review

About the author (2011)

Jacques Rancière is Emeritus Professor of Philosophy at the University of Paris-VIII. His books include The Politics of Aesthetics, On the Shores of Politics, Short Voyages to the Land of the People, The Nights of Labor, Staging the People, and The Emancipated Spectator.

Gregory Elliott is a member of the editorial collective of Radical Philosophy and author of Althusser: The Detour of Theory and Labourism and the English Genius: The Strange Decay of Labour England?.


From the Hardcover edition.

Bibliographic information