Dorothea Lange: The Crucial Years, 1930-1946
In 1935, the photographer Dorothea Lange joined Franklin D. Roosevelt's Farm Security Administration project, charged with the task of inventing an iconography that would record and convey the tales of Depression-era America. It was a task that forced Lange's photography to evolve from its then portrait-based character, as she stepped out into the streets to document the woes of the Great Depression, thus creating what is today her most legendary body of work. Gathering powerful images of displaced farmers, sharecroppers and migrant workers (such as the classic "Migrant Mother") with her Graflex camera, Lange put a human face to this difficult era, and revolutionized documentary photography. She obtained results without forcing them, instead just "sitting down on the ground with people, letting children look at your camera with their dirty, grimy little hands, and putting their fingers on the lens, and you just let them, because you know that if you will behave in a generous manner, you are apt to receive it." The Decisive Yearssurveys the various topics that Lange approached throughout the 1930s and 1940s, with an important selection of her work for the War Relocation Authority (on the evacuation and relocation of the American citizens of Japanese origin)--only a few of which have ever been reproduced in catalogues--and her documentations of farmers' communities in California and Arizona, and the Conference of the United Nations in San Francisco.
Dorothea Langewas born in Hoboken, New Jersey, in 1895. In 1941, Lange was awarded a Guggenheim Fellowship for excellence in photography. She was a co-founder of Aperturemagazine.
7 pages matching interview with Dorothea in this book
Results 1-3 of 7
What people are saying - Write a review
We haven't found any reviews in the usual places.
agricultural American Exodus Archives of American Arkansas asked Assembly Center awaiting evacuation bus aware Berkeley caloose camera caption center for evacuees chokidar Columbia College Chicago cotton Depression Dixon documentary Dorothea Lange Dorothea Lange's photographs Drought refugees Dust Bowl Dust Bowl refugees empathy evacuees of Japanese exhibition Farm Security Administration February feel field going images internment camps interview with Dorothea Japanese Americans Japanese ancestry Japanese descent John Vachon July Kern County labor Lange and Taylor Lange’s living look Manzanar Metaphor Migrant Mother migratory MoMA Museum never Nipomo Oklahoma Phillips Dorothea Lange pickers portraits problem propaganda Relocation Authority center Resettlement Administration Richmond Roy Stryker rural San Francisco social Street studio Survey Graphic tell tenant farmers Texas thing travelled with Taylor unemployment Valley Walker Evans War Relocation Authority workers York