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The Pattern of ONeills Tragedies
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achieved action actual Agnes Boulton American Anna Christie artistic audiences autobiographical beauty became Brown Carlotta Carlotta Monterey characters comedy conflict confusion critics Cycle Days Without End death described Dionysus dramatic drunken Dynamo earlier early plays Edmund emotions Emperor Jones emphasized Eugene Gladstone O'Neill Eugene O'Neill father feeling Fountain friends Gelb greatest dramatist Greek Hairy Ape hero heroine Hickey horizon human Iceman Cometh ideal illusions imagination Irish James O'Neill James Tyrone Jamie Josie Journey Into Night Kaan later Lazarus Laughed live Long Day's Journey man's Mannon mansions Marco Millions marriage married mask materialism materialistic modern Moon mother motives Mourning Becomes Electra mysticism myth nature never Nina O'Neill's plays perfect philosophy physical playwright plot produced psychological Pulitzer Prize realistic realized Reprinted in Cargill romantic dream sanitarium scene seemed spiritual Strange Interlude success suggests symbolic theater theatrical tion tragedy tragic transcendence trilogy true truth wife Wilderness Yank York